#Final cut pro vs lightworks pro software#
In addition to using the system on Law and Order, Hill has edited feature films on Lightworks, including Zookeeper and Bruce Almighty.ĮditShare’s cross-platform Lightworks editing software is available for Windows, Linux and Mac. Since her transition to non-linear editing, Schoonmaker has edited all of director Martin Scorsese‘s films on Lightworks including the Oscar-winning Hugo. An editor can be up and editing within a day without having to learn keyboard shortcuts or application menus.Īnd for those who want a more computer-based experience, Lightworks has developed a dedicated keyboard with an ergonomically designed layout for optimal use.Īlthough Lightworks may have receded from the NLE dialog in the past decade, editors such as Thelma Schoonmaker, ACE and Scott Hill have been using the platform. Based on a flatbed film editor, the console consolidates all primary editing functions into its interface and offers tactile, intuitive editing. Because of this tool, Lightworks became the darling of many film editors when it first appeared on the feature film and television scenes in the early 1990s.
Since 1989, Lightworks has had a patented hardware console at the heart of its editing system. The Lightworks philosophy is based on the simple idea that the editor, not the computer industry, knows what’s best.
Avid and Adobe Premiere have been working hard to fill that gap, but with the NAB preview of the highly-anticipated MAC version of EditShare’s Lightworks, another strong contender has stepped up. With the disillusionment of professional editors in Apple editing software after the introduction of FCP X, there has been a void in the NLE landscape.
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